My Life As A Courgette (2017)

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Meet the gang.

Childhood neglect and abuse are unlikely to be the topic of the next Disney animated smash. Even as Inside Out dives into the child psyche, they tend to avoid such unfriendly children’s fare. My Life As A Courgette has no such qualms. In the opening scenes, we are introduced to Icare (who prefers to be known as Courgette) leaving his alcoholic mother behind to live in an orphanage. There he and his new gang of friends, all of whom come from equally (if not worse) traumatic backgrounds, have to try and find a place in the world without the reassurance of family. It’s all presented in a delightful stop-motion style and Christ, it could have been a disaster.

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Colossal (2017)

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The joy of drunken ignorance.

If you took the hipster mumblecore of Noah Baumbach strapped it into a sports car and drove it at a 100 miles-per-hour into Godzilla, then the resultant debris would look a bit like Colossal. I mean it wouldn’t, Godzilla is massive so he probably wouldn’t even notice, but you can at least pretend to play along.

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Before I Wake (2016)

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Creepy butterflies, not moths, butterflies…

Sleep is a frequent collaborator with horror. From the long nights of Paranormal Activity to the boogeyman under the bed. The dark of the night when you are curled up in bed is often the moment when the spooks decide to play. Should you try to stay awake? Or would you rather not see what is coming?

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The Quiet Hour (2014)

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This poster makes it look more epic than it is.

A ship hanging in the distance. That’s all we see of the alien threat that has brought Earth to its knees in The Quiet Hour. It’s a constant threat but not the one that steps into the life of Sarah Connolly (Dakota Blue Richards) and her blind brother Tom (Jack McMullen). Instead, they have Jude (Karl Davies), the mysterious man who has broken into their farm while running away from a band of shadowy figures. The question is, do they trust him?

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Scouts Guide To The Zombie Apocalypse (2015)

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‘Always bring protection.’ It’s like condoms you see? Because sex is funny.

Zombies are so overdone that even writing about them being overdone feels overdone. We’ve had zomromcoms, we’ve had biological zoms, and we’ve had Arnie trying to be emotional with zoms. In fact, we’ve heard the word zombie so many times that it’s stopped feeling like a real word. Frankly, it’s all been a bit too much.

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Curtain (2015)

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I don’t actually know if this is related to the film, but it does the job.

Horror has delved into many strange places. From biting female genitalia to Nazi zombies, there aren’t many worlds it won’t explore. Yet, to make a serious horror film about a bathroom. That seems ambitious for even the most out there of genres.

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Cabin Fever (2016)

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I do quite like this poster, though.

The original Cabin Fever could be packaged up and presented as my first horror movie. If you see it before you’ve dived into that world, you’ll probably enjoy it, but going back to it after watching Evil Dead and Last House On The House makes you realise quite how derivative it is. All of which makes you wonder why the hell you’d decide to remake it.

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