Ramblings About’s Top Twenty Albums Of 2017

Why do I get to choose twenty albums when I only do ten films? I have no idea; it’s just the way I do it. I’m not planning on over thinking it because I listened to a lot of new music this year, and most of it was good. Much like my film list, this had to be cut down from around fifty choices, and I’m still not entirely sure I’ve got it right. It’s what I’m going with, though, so let’s get on with it.

As usual, this is all my opinion so don’t bother telling me I’m wrong. I’m also not going to go into great detail because there are twenty of the buggers. I will give you a song to listen to, though. Ain’t that nice?

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Deftones w/ AFI

As AFI play to a fairly full SECC in Glasgow, you have to wonder whether they have been away for too long. Everything on stage sounds great. The Blood Album is their best album in a long time and songs like ‘So Beneath You’ manage to fill the cavernous room. Davey Havok’s voice is untouchable and as he roars through ’17 Burials’ it feels like they should be laying waste to the place. So, why does no one care? Most of the crowd are stood still, watching respectfully but with as much passion as an atheist who has been roped into Sunday service. It’s been eight years since AFI were in the UK and you worry that people have simply stopped caring. What you’re watching on stage suggests that this band can still be a big deal and ‘Miss Murder’ perks people up, but judging by Glasgow, they’ve got a way to go before the UK is back on side.

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AFI – Burials

Most of my album reviews are quite long, often going over 500 words.  As I am very much a trainee journalist I’ve decided that while this is all very good, I should probably occasionally limit myself to a word count.  Therefore, from now on, every now and then I shall be doing shorter album reviews of only a couple of hundred words.  Apologies if that annoys anyone but… well I don’t really care. 

Those of us who grew up in a certain generation will be well aware of AFI.  These gothic misfits were a big part of the soundtrack to many people’s teenage years and, therefore, their return with Burials, four years since their last album, is likely to fill many with mixed feelings.  Does it still work now you’re in your 20s and over your teenage angst?  Were they ever actually any good?  Or can they be filed under other embarrassments like Panic! at the Disco?

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