TJPW Genghis Khan Kirishma Presents Spring Beautiful One Day Tournament (1/3/20) Review

The star of the show. Credit: TJPW

With Tokyo Joshi joining DDT in having shows cancelled by the coronavirus scare, they decided to give us a wee treat in its place. A one-day tournament that aired live from the Dojo with the winner receiving dinner coupons for Genghis Khan Kirishima, hence the convoluted name. It was taking place under what I shall refer to as snappy rules which were as follows:

  • Two count falls for the first three rounds with five minute time limits and janken tie-breakers.
  • Three count falls for the semi-finals with five minute time limits and one count fall tie-breakers.
  • Three count fall for the final with a ten minute time limit and a one count fall tie-breaker.

Thanks, as always, to ddtpro_eng on Twitter for all the translations.

Continue reading “TJPW Genghis Khan Kirishma Presents Spring Beautiful One Day Tournament (1/3/20) Review” →

TJPW Winter ~ wonderful harmony ~ (11/2/20) Review

Our new leaders. Credit: TJPW

Shows packed with tag matches are the kind that I might generally breeze past without feeling the need to review, but this one was headlined by Lana Austin’s title shot, which brought a sparkle that caught my eye. Throw in a couple of other exciting developments, and out of nowhere, this became one you wouldn’t want to miss. Why? Read on to find out.

Continue reading “TJPW Winter ~ wonderful harmony ~ (11/2/20) Review” →

TJPW Tokyo Joshi Pro ’20 (4/1/20) Review

A moment of respect. Credit: TJPW

January 4th might be Tokyo Dome day, but it’s quickly becoming Tokyo Joshi day too. Before making my way to Wrestle Kingdom, I wandered into Korakuen for the final time on this trip to watch a show with one hell of a card. Could it live up to it? Time to find out.

As has been the norm for reviews from this holiday, don’t expect too much in-depth detail. I don’t take notes and it’s much harder to write long reviews off of memory alone.

Continue reading “TJPW Tokyo Joshi Pro ’20 (4/1/20) Review” →

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