For the first time since lockdown ended, we have a Tokyo Joshi show with a couple of announced matches! It’s time for Raku to finally step into her role as a main eventer while the two Yukis do battle over the right to face Yuka. Gosh, that could get confusing, couldn’t it?
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Last week’s attempt to review Tokyo Joshi turned into a more general ramble about why I love it so, making this our first look at TJPW since the fans returned. If you haven’t guessed, I am very happy to have them back, so let’s see what went down.
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It feels like a million years since we’ve had a Tokyo Joshi show and my God am I glad to have them back. Few things fill me with as much joy as a couple of hours spent with TJPW, so let’s stop blathering and start watching.
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When you get past the discussion as to whether wrestling should be running empty arena shows, the biggest talking point for most fans at the moment is how to go about making those shows work. As I write this, the only WWE I’ve watched took place in a graveyard, but it’s safe to say their television efforts have been widely criticised and while AEW hasn’t been quite as badly received, no-one is screaming from the rooftops about them being shows of the year. Wrestling is struggling with how to present itself in a fan-less environment, and it’s quite interesting watching companies scramble for answers.
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I haven’t stopped feeling weird about Japanese companies going back to hosting live wrestling shows, but I’d be lying if I said I didn’t enjoy having the Up Up Girls kick off a show. Tokyo Joshi was back in front of fans and, to celebrate, were giving us the next chapter in the feud of the year. Misgivings or not, it’s hard not to enjoy that.
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The world is fucking weird at the moment and, as of today, I don’t have a job, so if you like my rambles, get ready to see a lot more of them. With that weirdness, there are suddenly a lot of people with a hella lot of time on their hands. Now, I don’t normally do listicles on this website because, well, why would I? I spent some time in the trenches of making money by writing for WhatCulture, and it ain’t much fun. However, what better way to spend all that free time than by getting into everyone’s favourite pseudo-sport, wrassling! Usually, when people try to get you into wrestling, they’ll go straight to WWE. There is a decent chance they’ll show you Mick Foley being thrown off a cage because of the wrestling fan’s innate need to prove it’s not fake. However, that’s dumb, and WWE sucks. So, I’ve decided to put together a list of matches, all of which you can watch for free, that might tempt you to fall in love with this world that gives me so much joy.
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I think this is probably the most diverse match of the month list I’ve put together yet. In the past, I’ve had star ratings to work by when figuring this out and, honestly, I think that was restricting the way I did it. Now, I’m just pulling out the notebook and picking the ten that have stuck with me the most. So, welcome to a rather different, but certainly not worse, round-up of my favourites matches from last month.
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Fresh off my favourite show of the year so far, Tokyo Joshi were back in the Dojo for another tournament. This time the roster was split into teams based on the colour of their attire, with wins earning two points, draws one and a loss none. The team with the most points at the end of the night would win themselves a day pass to a theme park, so that’s exciting. Will it be more hotly contested than the free meal? Time to find out.
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With Tokyo Joshi joining DDT in having shows cancelled by the coronavirus scare, they decided to give us a wee treat in its place. A one-day tournament that aired live from the Dojo with the winner receiving dinner coupons for Genghis Khan Kirishima, hence the convoluted name. It was taking place under what I shall refer to as snappy rules which were as follows:
Thanks, as always, to ddtpro_eng on Twitter for all the translations.
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Shows packed with tag matches are the kind that I might generally breeze past without feeling the need to review, but this one was headlined by Lana Austin’s title shot, which brought a sparkle that caught my eye. Throw in a couple of other exciting developments, and out of nowhere, this became one you wouldn’t want to miss. Why? Read on to find out.
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