Rambles about the wonderful world of wrestling.
Romeo and Juliet but instead of Montagues and Capulets we’ve got emos and Christians. Instead of fair Verona, we have a clique filled school in Australia. Oh, and it’s a musical. That’s the elevator pitch for Emo The Musical, adapted by writer and director Neil Triffett from his short of the same name, and the end results are even more ridiculous than it sounds.
Freak Show takes a well-worn plot and decides to give it a bit of a twisting. Billy Bloom (Alex Lawther) is forced to leave the big city and his beloved Muv (his flamboyant mother played by Bette Midler) behind when he moves in with his dad who he hasn’t seen for seven years. Now living in the Red States, he suddenly finds that being gay with a penchant for drag isn’t the best way to fit in and in fact attracts violence. Billy ain’t no wilting flower, however, and he strikes back by letting his freak flag fly and running for homecoming queen.
For all of Ring of Honor’s problems, they are on a bit of a roll when it comes to big shows. Their PPVs very rarely fail to impress, and they will usually have at least one or two gems hidden away. Take Best In The World. While there was a lot of fluff on this card, it still had an exciting tag match between three of the best teams in the world and KUSHIDA vs. Scurll. So let’s get down to talking about it. Here are nine things we observed during Best In The World.
The Edinburgh Film Festival has kicked off and with it the chance to catch a whole bunch of films you wouldn’t have seen otherwise. First up was Story Of A Girl, the debut feature from Kyra Sedgewick which will air on Lifetime after its festival run. With a cast which includes Sedgewick’s husband, Kevin Bacon, it follows Deanna (Ryann Shane) who three years after a sex tape of her and her big brother’s best friend was leaked on the internet, is still dealing with the consequences.
Edinburgh on a Wednesday night can be a tough place to play a gig. Always a harder city to pull a crowd in than Glasgow getting anyone through the doors of Bannerman’s should be considered a success. When you’re selling a bill of emotionally switched on indie punk bands, it should be seen as a God damn triumph. This particular Wednesday night was nowhere near a sellout, but there was a healthy crowd for the double bill of Nervus and Kamikaze Girls.
Continue reading “Kamikaze Girls and Nervus w/Goodbye Blue Monday”
After months of build up, New Japan has announced the first batch of matches for their G1 Special (which has nothing to do with the G1) in Long Beach next month. On the first and second of July American fans (plus anyone who decided to make the journey) will be treated to two nights of wrestling featuring the incredible talents of Okada, Omega, Naito and… Billy Gunn.
Continue reading “New Japan Are Taking The Ass Man To Long Beach”
Money In The Bank has become one of WWE’s better PPVs. In the last few years, it’s tended to be notable and not just because of the briefcase that’s on the line. However, with the brand split era meaning these Network Specials are becoming less and less unique, it’s tough to build up enthusiasm for events you don’t care about, and WWE’s booking sometimes suggests that they agree. Don’t let that put you off too much, though, as here are ten observations that we made about Money In the Bank.
Rather than using pictures of Gene ugly mug I’m going to fill this post with music from young bands that represent the rock scene that is apparently dying.
In what may be the least of his crimes but perhaps the one that sums him up the best, Gene Simmons has attempted to trademark the Devil’s Horns. Yes, you read that right, he wants control over the hand gesture thrown by a million heavy metal fans and adopted as a central part of our culture. Why? Because in his twisted little mind he believes he invented it. Even if you ignore the falsehood of that in light of the claims of Ronnie James Dio and pictures of Coven doing it in 1967 six years before KISS formed, this is still the act of a puckered old arsehole and should be the final nail in the idea that we should care about Gene Simmons.
For the second time, a War Games match makes an appearance in Meltzer’s Classics. It also once again features The Four Horsemen with Ric Flair, Barry Windham and Sid Vicious teaming up with Larry Zybysko who is replacing an injured Arn Anderson. On the other side of the two rings are our babyfaces, Sting, Brain Pillman and the Steiner Brothers.
The way to approach a Rancid album in 2017 is very different to the way you would have approached one in 1997. You can no longer expect genius, and you need to figure out exactly what you need to make you happy. It’s not going to be And Out Come The Wolves… and after the disappointment of …Honor Is All We Know and  Let The Dominoes Fall, merely good might be enough. A couple of great punk tracks could be all we need.
