Black Christmas (1974)

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It’s a normal Christmas, nothing creepy here at all.

We are into December, and the bells are jingling as we dust off those Christmas classics and pull them out of the cupboard for their yearly viewing. There’s enough good cheer on the TV to make Santa Claus puke, and for a few weeks, we pretend the world is a better place. However, what do you turn to when that cloying feeling of happiness becomes too much? You don’t want to completely give up on that Christmas feeling, but you do fancy seeing some slashing? Enter Black Christmas.

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The Company Of Wolves (1984)

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Fairy tales of the Grimm variety.

It’s no secret that your average fairytale is twistier than a pair of headphones pulled from your pocket and while Disney has done their best to clean them up there are still those that cling to the Brother Grimm way of telling these tales. Authors like Neil Gaiman have kept that tradition alive, and films like The Company Of Wolves make sure that Disney Princesses aren’t the only ones that find adventure in the woods.

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Halloween Binge: Halloween

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Now that’s a knife.

Last year I sat down and watched every single Nightmare on Elm Street film before splurging my thoughts about them onto the internet. It was an endeavour that went from the dizzying heights of the first film to the genuine surprise of Dream Masters and New Nightmare to the absolute horror of Freddy’s Dead. It was also great fun. So, this year I decided to do the same and delve into another slasher franchise, Halloween. Now, obviously this would have made a lot more sense around a week ago, but there are ten fucking films, so give me a break. (I’ll try to keep spoilers to a minimum, but when discussing an entire franchise there will be the occasional titbit dropped.)

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Blair Witch (2016)

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Despite the claims of those who are either lacking in imagination or presumably spent the entire time with their eyes focused on a phone, The Blair Witch Project is a scary film. It builds its tension to an unbearable level and reveals nothing but hints as to what is happening to its audience. Because of that, it has a mythology that is ripe for exploring and which seventeen years after the original Adam Wingard and Simon Barrett are returning to.

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