Hello friends, how are you on this mediocre day? Is life going well? Or does it feel like you’re stuck in a never-ending hell unable to run forwards or backwards and terrified you are going to be trapped there forever? Well, at least we’ve got music! Here’s what I’ve been listening to this week.Continue reading “The Listening Booth – Venom Prison, Waster and Anaal Nathrakh”
Hello friends, the listening booth is open as we settle solidly into 2019 with a trio of new releases. We’ve got Greek metal, Norwegian punk and something extraordinary from Holy Roar. If that doesn’t excite you, what will?Continue reading “The Listening Booth – Rotting Christ, Dangerface and A.A. Williams”
Hello my lovelies, welcome to The Listening Booth. After all the new releases last week, we’ve got a mixed bag this time around with one from the present and two from the past. Although, I have seen both of the bands from the past live in the last couple weeks, and can confirm that rumours of their demise are greatly exaggerated. The albums are from back yonder, but the bands themselves are not. Anyway, let’s stop wanging on about it and get on with, well, wanging on about it!Continue reading “The Listening Booth – HEALTH, At The Gates and Single Mothers”
For a long time, the only thing I wanted to write about was music. Then, sometime last year, I realised that I no longer wanted to do that. For reasons that are too many to get into here, I fell out of love and forcing myself to sit down and put words on a page wasn’t helping. So, I stopped and Ramblings About became Ramblings About Wrestling. However, in the last few months, that passion has started to come back again. I’m not going to stop writing about wrestling, but suddenly I feel the need to put words to the page about bands that rock. So, that’s what I’m going to do! Every now and then I am going to pick out three albums that I think are awesome and ramble out my thoughts. Hopefully, you’ll find something to listen to. If not, well, sorry I guess?
Why do I get to choose twenty albums when I only do ten films? I have no idea; it’s just the way I do it. I’m not planning on over thinking it because I listened to a lot of new music this year, and most of it was good. Much like my film list, this had to be cut down from around fifty choices, and I’m still not entirely sure I’ve got it right. It’s what I’m going with, though, so let’s get on with it.
As usual, this is all my opinion so don’t bother telling me I’m wrong. I’m also not going to go into great detail because there are twenty of the buggers. I will give you a song to listen to, though. Ain’t that nice?
Rather than using pictures of Gene ugly mug I’m going to fill this post with music from young bands that represent the rock scene that is apparently dying.
In what may be the least of his crimes but perhaps the one that sums him up the best, Gene Simmons has attempted to trademark the Devil’s Horns. Yes, you read that right, he wants control over the hand gesture thrown by a million heavy metal fans and adopted as a central part of our culture. Why? Because in his twisted little mind he believes he invented it. Even if you ignore the falsehood of that in light of the claims of Ronnie James Dio and pictures of Coven doing it in 1967 six years before KISS formed, this is still the act of a puckered old arsehole and should be the final nail in the idea that we should care about Gene Simmons.
Heavy Scotland are, in their words, looking to help grow the Scottish metal scene. Bringing over Behemoth is a good start, but if they really want to do that they need to get some locals on the bill and they’ve found the perfect way to do it. Over three nights, eight bands will go head to head to fight for the opportunity to open the main stage of this two-day festival on the Sunday. The first night gave us a glimpse at who could take their place on that stage.
This week the sad news came out that TeamRock had gone into administration and in doing so was taking down Metal Hammer, Classic Rock and Prog Magazine. 73 people lost their jobs just a week before Christmas, and the rock and metal community lost the only mainstream magazines that still truly catered to that demographic. Basically, it was a colossal fuck up.
Metallica, Slayer, Red Hot Chilli Peppers, Green Day and the list could go on. What do all those bands have in common?
- They have had a visible impact on the history of rock music.
- They have gone on way past their sell by date.
Think of it like this, what if Metallica had called it a day after Load and Reload? What if the Chilli Peppers had checked out after Californication? Would Slayer be looked on differently if they’d gone before they got old and how would the punk world view Green Day if they had hung up their guitars before they tried to become U2? If these bands had done those things, how much bigger would their legends be?