Hello friends, it’s Friday which means you can plug in your headphones and get ready for another stint in The Listening Booth. This week we dive into a duo of debut albums, one from 2019 and one from 1992, before I finish up by talking about King 810 who, if you haven’t heard, really like guns. Sound like fun? Well, read on.Continue reading “The Listening Booth – Puppy, 7 Year Bitch and King 810”
Media hype is an unusual thing. In the last year or so we’ve seen organisations like Team Rock throw their weight behind bands like King 810 and Babymetal, two groups that arguably couldn’t be more different. Yet, both apparently have the dubious honor of being worthy of taking their place as a ‘hyped band’. Whether they would have succeeded with or without that is of course impossible to say, but there’s no denying that they will have come to many people’s attention through the mainstream rock press.
It has become accepted that Slipknot can fill venues like the Hydro. However, when you sit down and think about it, that fact is insane. 9 masked men wearing boiler suits and playing pretty extreme metal, should not be coming close to filling places like this. Yet, here we are.
Onto part two of my albums of the year countdown, where we shall go from number fifteen to number eleven. If for whatever reason you missed part one, shame on you, you can find it here.
I seem to be spending a lot of time recently talking about the nature of hype. Whether it be gimmick metal or Upon a Burning Body, hype is currently getting a lot of… well, hype. This brings me onto King 810, a band who in recent months have been hyped up more than any band in a long time. Hailing from Flint, Michigan, famous mainly for murder and em, Terry Crews, this band of misfits have spoken at depth about the rigors of their upbringing, it’s a remarkable story and if you can get your hands on it, Dom Lawson’s feature in last months Metal Hammer is a must read. However, the question has to be whether underneath all of this, King 810 have the music to back it up.
Not so long ago Upon a Burning Body pulled one of the stranger marketing stunts I’ve ever seen, when they faked the disappearance/kidnapping of lead singer Danny Leal. All of this came about in the lead up to the release of their newest album, The World Is Our Enemy. Now this was quickly exposed as the hoax that it was and the whole incident was puzzled over with, as it tends to now a days, many people declaring it to be the worst thing that has ever happened blah blah blah. However, there is no denying, having now heard The World Is Our Enemy, that the whole incident was very bizarre and in many ways a possible look into the future of our music industry.