Assemble Vol. 3 (6/3/21) Review

The only suitable main event. Credit: Assemble

Assemble is back! It’s the third show for the joshi collective, although I’ve also seen it being billed as volume 4 because volume 3 was cancelled, which was confusing, so I decided to stick with three. Sorry, none of that is important. What’s important is that we have a whole load of wonderful companies in the same venue, all going out of their way to make me happy. Isn’t that nice of them?

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Assemble Vol. 2 (20/11/20) Review

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That’s how you get someone hyped for a show. Credit: Assemble

What better way to celebrate the anniversary of Big Egg than to get a load of joshi companies in a building to have a lovely old time. The first Assemble is still one of my shows of the year, so this one had big boots to step into. Let’s see how they did.

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Assemble (1/10/20) Review

Just a smidge of talent in that ring. Credit: Assemble

Joshi Assemble! There was always going to have to be a response from the smaller wrestling companies to the effects of COVID and, in a heartening move, joshi decided the best way to deal with it was together. Assemble might be more of a showcase for the different companies involved rather than an inter-promotional supershow, but it is still easy to get excited about. Throwing matches from Oz Academy, Sendai Girls, Pure-J, SEAdLINNNG, Marvelous and T-Hearts (even if we’re not quite sure what that is yet) together sounds like a jolly good time, no matter how it’s done.

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Wrestler Mixtape: Kaori Yoneyama

All the belts.

I love mixtapes. Unfortunately, they’re not really a thing any more, making it a love I rarely get to explore. So, in an attempt to scratch that itch, I’ve decided to introduce a new feature to Ramblings About, Wrestling Mixtape. Now and then, I’m going to pick a random wrestler, grab three of their matches off YouTube and have a (spoiler free) ramble about them (I appreciate a mixtape with one band on it would be rather limited, but shush).

To kick it off, I’ve gone with one of my low-key favourites, Kaori Yoneyama. It’s a doubly good choice because there happens to be a wealth of material to choose from. Let’s have a look, shall we?

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