Enough has been said about Dillinger Escape Plan’s decision to call it a day after this album cycle. Happy about it or not, we have to accept it and move on. Move on to celebrating one of the greatest bands of all time. Dissociation was a fantastic way to start to that process. An album that somehow managed to encapsulate everything that that band is. Now, we move onto the final tour, as Dillinger rolled into Glasgow.
A Friday night in Glasgow seems like a good place for a party, and there aren’t many bands I want to party with more than Against Me. Even in a year where they released an album that I was rather non-plussed with, Against Me sit high on my list of most played. They are a special band who mean a hell of a lot to a wide range of people.
It takes balls to bring one good band out on tour with you. Having two extraordinary groups tag along, well that might be mental. Which means that no matter what my personal opinion towards Pierce The Veil is – they’re not for me – you’ve got to respect them for taking Creeper and letlive. on the road with them. I mean they never stood a chance, but fair play all the same.
There are nights when you walk into a room and instantly know that you are in for something special. There’s a feeling in the air, one that hints of everyone being on and ready for what is to come. It’s one that was crackling in the ABC on Sunday night as Architects arrive in Glasgow.
Kerbdog should have been huge. A storm of record label shit housing and general cuntery prevented that however and right now they are embarking on their final UK tour nineteen years after the release of the brilliant On The Turn. Any chance of global domination may be long gone, but those songs still slam, and for one night in Glasgow, we can almost pretend that the world was a fair place.
Edinburgh can be a notoriously tough city to tour. That famous Scottish crowd doesn’t always emerge, and I have seen bands like Bring Me The Horizon (on Sempiternal) struggle to sell out supposedly small venues. So standing in Electric Circus and seeing a nearly sold-out crowd appreciate two of the best young bands the UK has to offer. Well, it’s one hell of a feeling.
I’ve been to countless arena shows over the years, and some of them have been truly spectacular. It doesn’t matter how many I do, though, not one has ever beaten the feeling of packing into a tiny little sweatbox and seeing a great band smash out a fantastic set. Which is why tours like the one The Wonder Years have just finished up round the UK are so special.
There’s something special about a Ginger Wildheart tour and his most recent run around the country feels more special than most. Having had to cancel the Hey! Hello! tour twice, once because of Ginger going into the hospital due to his battles with depression and once because of Hollis leaving the band, it is a pleasure to see the great man on stage enjoying himself after a while away. Throw in the reunions that have happened with Danny McCormack at a couple of the shows and the whole thing has an even bigger party vibe than usual.
There are still people who believe that by reforming, Refused have spat on their legacy. That no matter what they do now, it is not enough to make up for the fact they went back on their word. Personally, I think that’s bullshit, and as the final notes rang over the Glasgow Garage, you can’t help but feel sorry for the people that because of their own stubborn nature, will miss out on the band these punks have become.
Starting reviews with personal stories is always a danger, so if you aren’t interested in this one skip to the next paragraph. The last time I saw Baroness in Glasgow was in a tiny sweatbox, and I had to leave ten minutes into their set. I was ill, and the heat made me want to puke, which I did ten minutes later in a nearby alley. A few weeks later they were involved in a bus crash that would nearly destroy their career. The chance to see them once again off arguably the best album of their career is one I wasn’t going to miss.