Stardom New Year Stars (3/1/20) Review

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Friendships mended. Credit: Stardom

A quick note before I get started, I am going to be cutting down on the number of shows I review this year. I’ll still be doing a decent amount, but I want to write about some other things, and it’s hard to do that when you’re trying to keep up to date on multiple promotions. With companies like Stardom, I’ll pick and choose the exciting or noteworthy events while I wouldn’t expect in-depth reviews of every New Japan tournament (cheerio, Tag League). It’s a small change, but one I thought was worth mentioning.

Anyway, today I am going to have a look at Stardom’s second show of the year, which ended on an angle that saw them give the hornet’s nest a boot before 2020 had properly woken up.

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NJPW New Year Dash (6/1/20) Review

The big goodbye. Credit: NJPW

It’s the day after Wrestle Kingdom, and all through the house, everyone is stirring because New Japan had another fucking show. I didn’t go to this one because I nipped over to Osaka instead, but New Year Dash always throws a few curveballs our way and had a certain Jushin Thunder Liger’s retirement ceremony, so I was going to watch it one way or another.

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NJPW Wrestle Kingdom (4/1/20) Review

It’s the most wonderful time of the year. Credit: NJPW

With Tokyo Joshi finished, it was time to go to the second most important show of the day. January 4th at the Tokyo Dome is a New Japan tradition, and even if they were running two dates there this year, there was something extra special about the first. Watching Wrestle Kingdom a few years ago got me into Japanese wrestling and, well, have a look around this site if you want to know how important that was to me. So, let’s find out what New Japan gave me on my first trip to their biggest show of the year.

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TJPW Tokyo Joshi Pro ’20 (4/1/20) Review

A moment of respect. Credit: TJPW

January 4th might be Tokyo Dome day, but it’s quickly becoming Tokyo Joshi day too. Before making my way to Wrestle Kingdom, I wandered into Korakuen for the final time on this trip to watch a show with one hell of a card. Could it live up to it? Time to find out.

As has been the norm for reviews from this holiday, don’t expect too much in-depth detail. I don’t take notes and it’s much harder to write long reviews off of memory alone.

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DDT New Year Special 2020! (3/1/20) Review

New belt boys. Credit: DDT

On the 3rd of January 2020, I equalled the number of wrestling shows that I went to in 2019. That’s primarily because I was saving money to come here, but still, it’s a step up. It was my third trip to Korakuen since I’d arrived in Japan that smashed in the equaliser and it was to see DDT all on their lonesome without the help of those scary boys in Big Japan. I was looking for laughs and good wrestling, did they deliver? Let’s find out.

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Stardom New Years Stars (2/1/20) Review

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Credit: Stardom

January the second was Stardom time! Wrestle Kingdom may have been the initial inspiration for this trip, but let’s not beat around the bush, I was just as excited about watching Stardom. I’ve fallen in love with this company over the last year and having reviewed every show (I think, I certainly didn’t miss many) of 2019, being at their first of 2020 was a no-brainer. I was sober and fully with it, so I’ll be returning to the traditional structure. However, don’t expect any great analysis of the matches themselves because I was not taking notes.

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DDT D-Oh Grand Prix Final (28/12/19) Review

Solid as a tree. Credit: DDT

I intended to review this entire show, but it was already a week ago, and I’ve been to see DDT since then, so I can’t see myself getting a chance to do so before it becomes completely obsolete. However, I wanted to finish off my run through of the D-Oh, so here are my thoughts on Masato Tanaka vs Tetsuya Endo. It will be the last match I talk about from 2018, and while it’s a few days late, I would like to thank everyone that read the site in the last year. It was significantly more people than have ever read it before, and that means a lot to me.

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Stardom Year End Climax (24/12/19) Review

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Credit: Stardom

Stardom’s final show of the year has taken on all kinds of meaning. In many ways, it is setting up a new era for the company as they move forward under the stewardship of Bushiroad. However, it is a new era tinged by sadness as they said goodbye to Hazuki and had another wrestler announce their retirement (more on that later). Change is coming one way or another.

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