AEW Revolution (29/2/20) Review

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Mox is the boy. Credit: AEW

Cards on the table, I honestly can’t remember the last time I watched Dynamite. Week three? The last AEW show I saw was probably the PPV, but I have kept an eye on what they’ve been up to, and people seem to be enjoying it. While that doesn’t mean Western TV wrestling has stopped being the Devil, I figured I’d tune in for Revolution and give them the chance to convince me otherwise.

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AEW Full Gear (9/11/19) Review

The main event was a truly brutal and grueling affair
Kenny and Jon reflected on their futures. Credit: AEW

AEW returned to PPV for the first time since Dynamite arrived on TV, and it came in a week that saw NXT close the gap in the rating war. There is a strong argument to be made that they needed a big show, and I guess it is time to find out whether they pulled it off.

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AAA TripleMania XXVII (3/8/19) Review

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Credit: AAA

As I make clear at the start of my TripleMania review every year, I know fuck all about lucha libre. Beyond the obvious stars, Fantastica Mania and this show, I only catch hyped matches, and the culture around it is as alien to me as it is fascinating. I adore how Mexico views wrestling, but I would be lying if I didn’t say that I also find some of their, em, eccentricities rather amusing. If history is any indicator, this show could veer wildly from genius to hilarious, and I am down for that.

If you want someone who does understand lucha, click here.

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AEW Fyter Fest (29/6/19) Review

That probably hurts. Credit: AEW

AEW’s first show was widely hailed as a success. Double Or Nothing had the eyes of the wrestling world on it, and this fledgeling company stepped up, but Fyter Fest is a different beast. It’s, for all intents and purposes, a B-level PPV (it’s actually airing for free in America) and can perhaps provide a better insight into what we can expect from AEW when the size of the monthly events naturally has to drop.

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ROH Death Before Dishonor (28/9/18) Review

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Who needs a story? Credit: NJPW

I’ve said this before, but ROH is in a weird ass place at the moment. Business-wise, they are at their peak. Drawing crowds that they couldn’t have dreamed of previously. In the ring, though? You could argue it’s at a low. While they have a lot of talent, a lot of it feels directionless as they bounce from feud to feud with no rhyme or reason. Will Death Before Dishonour be the same? Most definitely.

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NJPW Fighting Spirit Unleashed (30/9/18) Review

 

Two of my favourite boys. Credit: NJPW

 

It might surprise you to know that New Japan ran a show in America recently. Has anyone made that joke yet? Yes, it’s true, New Japan’s latest trip to the US didn’t quite have the hype their previous journeys did. I’m not necessarily sure that’s a disaster, though. The more they come, the less exciting it will be, that’s only natural. They did recently sell out Maddison Square Gardens (let’s not pretend ROH had anything to do with that), so it can’t be going that badly. Anyway, I’m not actually that bothered by how big New Japan’s crowds are. I’m more interested in good wrestling. Time to find out if they delivered.

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Wrestling Deserves A Chance To Tell Its Stories

 

At its best, wrestling is a perfect blend of physical excellence and inspired storytelling. It weaves two separate art forms together to create¬†something that thrills and engages at the same time. It can survive with only one of them. PWG usually jettisons stories in the name of in-ring action while WWE is more focused on telling Vince’s tales than putting on five-star matches (even if it is often done poorly). However, at its peak, the two blend to create magic.

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