After a beef-fest the night before, New Japan was dishing up a very different meal on night two of The New Beginning in Sapporo. We’ve got a bit of British in there followed by Taichi’s latest attempt to climb the ladder and reach the top of the New Japan rankings. Can he do it? Well, I guess it’s time to find out.
After a wee break from New Japan (unless you kept up with FantasticaMania) it’s time for The New Beginning, a tour which NJPW has gone all out on this year. They’ve upgraded the final date to Osaka Jo-Hall and are delivering potentially fantastic matches at every destination. Up first was Goto vs Shingo and EVIL vs Ishii, which kind of makes it look like Gedo let me do some booking. He didn’t, but I’m certainly going to enjoy it.
Gosh, this came around quickly, didn’t it? It’s time for Kagetsu’s final Stardom match. While she’s doing a wee retirement tour around various joshi companies before facing off with her trainer Meiko Satomura one more time, it already feels like things are coming to an end. She certainly couldn’t have picked a better trio of wrestlers to say goodbye with, that’s for sure, as she and Mayu go up against Jungle and Momo in one hell of a main event. I could try and tease the idea of whether it delivered or not, but I suspect you know the answer.
A trios tournament and Maki vs Yamashita made Tokyo Joshi’s latest trip to Osaka feel like a must-watch show. Throw in a couple more intriguing singles matches and, well, here we are, it’s review time!
It’s 2020, and a new year always brings with it a chance to dive into some new and exciting wrestling. I’ve made it a bit of a tradition to pick a new company to try out every January, and while this year’s attempts are a bit delayed thanks to my trip to Japan, it’s a tradition that shall continue. So, welcome to my first ever Ice Ribbon review. In fact, it’s not only my first review but the first show I’ve ever watched. That means I don’t have a clue what I’m talking about, so if you’re a hardcore fan, please keep that in mind and be nice to me. Although, do feel free to point out any mistakes I make in the comments as I’m always happy to be educated.
On their 9th birthday Stardom did something they’d never done before and packed Korkauen Hall right up to the balcony. That famous old venue was bursting at the seams, and it was a beautiful sight. Yes, you can point to the advertising power of Bushiroad, but a card headlined by Mayu vs Momo is one of the biggest Stardom can deliver, and it had the crowd it deserved. Now, it was down to the wrestlers to impress.
Stardom has decided to blow away the January blues with a little tournament. The High Speed Grand Prix is a five-person round-robin where the two people with the most points will face-off in the final with the winner challenging for Riho’s title. It seemed like the perfect slab of wrestling to follow along with, and the three matches reviewed below came from the two Osaka shows on January 11th plus the Shizuoka show from the 12th.
When you strip it down to its bare bones, Maki Itoh’s journey through the world of wrestling has been a desperate quest for acceptance. She entered this weird and wonderful form of entertainment feeling like idol had rejected her, chewing her up and spitting her out. To recover, she sought to prove herself in a different medium, one that bore similarities but allowed Itoh to be a lot more, well, Itoh.
While most of the wrestling world’s attention was on the Tokyo Dome, or at the very least the NOAH show next door, there was a small group of around a hundred who were swimming against the current. For just a twenty-minute train ride away in Itabashi Green Hall, Miyako Matsumoto and Chris Brookes were taking part in a one-match card which was, well, a little bit different from what was going on in the echoey confines of the Dome.
A quick note before I get started, I am going to be cutting down on the number of shows I review this year. I’ll still be doing a decent amount, but I want to write about some other things, and it’s hard to do that when you’re trying to keep up to date on multiple promotions. With companies like Stardom, I’ll pick and choose the exciting or noteworthy events while I wouldn’t expect in-depth reviews of every New Japan tournament (cheerio, Tag League). It’s a small change, but one I thought was worth mentioning.
Anyway, today I am going to have a look at Stardom’s second show of the year, which ended on an angle that saw them give the hornet’s nest a boot before 2020 had properly woken up.