The Listening Booth – Mastiff, Spielbergs and Press Club

Hello friends, welcome to the Listening Booth where, this week, we are firmly rooted in 2019. Yup, we’re not even taking a trip to Seattle as we instead focus on three albums that have been birthed into the world in the last month. From the brutality of Mastiff to the soaring anthems of Press Club, sit back and enjoy the ride.

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Heck

HeckĀ are – and soon will have been – a special band. A band that made rock and roll exciting and dangerous. Seeing them live was like dancing along the edge of a cliff in the rain. There was always the chance they could slip, but while they balanced there, it was the most thrilling thing in the world.

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RIP Chester Bennington

If the last 24 hours has made anything clear, it’s that a generation of rock and metal fans still holdĀ Linkin ParkĀ in their hearts. The music may have veered wildly off course in the last few years, but their brand of arena rock, rap and nu metal inspired a million kids into a passion for everything heavy. A huge part of which is because of the voice of Chester Bennington.

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Fuck You Gene Simmons

Rather than using pictures of Gene ugly mug I’m going to fill this post with music from young bands that represent the rock scene that is apparently dying.

 

 

 

In what may be the least of his crimes but perhaps the one that sums him up the best, Gene Simmons has attempted to trademark the Devil’s Horns. Yes, you read that right, he wants control over the hand gesture thrown by a million heavy metal fans and adopted as a central part of our culture. Why? Because in his twisted little mind he believes he invented it. Even if you ignore the falsehood of that in light of the claims of Ronnie James Dio and pictures ofĀ CovenĀ doing it in 1967 six years beforeĀ KISSĀ formed, this is still the act of a puckered old arsehole and should be the final nail in the idea that we should care about Gene Simmons.

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letlive

I’d love to know how many bands I’ve declared to be my favourite. From my early years when I couldn’t imagine not lovingĀ My Chemical RomanceĀ orĀ Fall Out BoyĀ to the fiery passion thatĀ NirvanaĀ still raises in me. I fall in love with a different band on a near weekly basis, and the truth is I don’t have a favourite. I have a family of albums and songs that surround me and which make my life better. However, I’m going to go out on a limb and say that I haven’t been introduced to a band in the last ten years that mean more to me thanĀ letlive.

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Wakrat – Wakrat

With 2016 being the yearĀ the planet officially decided to start taking the piss there is no better time than now for a bunch of politically astute rock bands to make a name for themselves. They are out there too. Whether it’sĀ letlive,Ā Gojira,Ā Against MeĀ or evenĀ Enter ShikariĀ there are bands out there that have something to say. The problem is they don’t have the platform to say it on. The editor of Kerrang is too busy complaining on Twitter about how these bands don’t exist, and the rest aren’t that much better. Enter Wakrat.

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Creeper

In a world where most of musical history is at our fingertips via Spotify or YouTube, standing out takes something special. Every week tens of albums are released and deciding where to start isn’t easy. One band that make that simplifies that decision isĀ Creeper.

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Metallica – Moth Into Flame

I can count on one hand the bands that mean more to me thanĀ Metallica. Which is hardly rare, if you were to ask a hundred heavy metal fans they would probably say the same. In fact, ask a thousand, they’ll still be up there. And yet recent years haven’t been too kind to ‘Tallica. The wholeĀ LuluĀ debacle came after two average at best and downright bad at worst albums. While ‘Lords of Summer’ and some sloppy live shows didn’t exactly set the bar high for what was to come in the future. That was until they dropped ‘Moth Into Flame’.

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